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MUSIC/ Ben Cooper: A journey of runaways and returns



Carlo Torniai


venerdì 28 ottobre 2011


Ben Cooper returns with the second album of his one man band installment Radical Face. The theme of the whole album is set from the first short song Names - almost a lullaby that could have been the end of the album rather than it’s beginning:

"This road is now my only friend
It welcomes me through straights and to bend
But no matter how long I stay
It'll never know my name
Oh, I am a long way from home"


The theme is life as a journey and the ties of this journey with the past. A journey made of runaways and returns, memories and relationships that are rendered through the whole album by alternating foreground/ background between memories (the past as family bounds, the roots of the title) and the present struggling to find (or the longing coming from having missed) a place to call home, a place to be loved and to be who you're supposed to be.

The Roots definitely holds less of the visionary mood of the album Ghost: the songs now have a more clear - still yet extremely poetic- narrative. Ben has also left behind - together with the whiny themes that characterized his previous work of as Electric President - the heavy layers of samples and electronic textures, leaning towards a more sober, delicate, yet intense, dreamy folk atmosphere.

Musically there is a unity that makes The Roots sounds more like an album rather than a set of songs (which was probably the main defect of Ghost). This doesn't mean that Ben is delivering something flat. While he’s still building songs around simple catchy melodies, at the same time he has reached a maturity that doesn’t seek consistency in artificial grandeur but finds a gracious balance between lyrics and music.

Ben's capability of writing poetic, poignant and strongly visual lyrics is witnessed through the entire album but it shines in particular in some songs. For instance in Severus and Stone, where the trees the snow, the fire and the winter are turned into characters:

"All the trees stood like skeletons
silhouettes of spilled ink
and the snow fell in sheet and got wrapped around our feet
we built the fire evermore with winter beating at the door"

Or in The moon is down, where the ineffable amazement for something special in a person (admired, desired but still mysterious) is rendered as follows:

"All my life I've watched you dance alone
to music that can't hear
I ain't equipped to hear those songs"


Death as part of the journey makes its appearance quite often in The Roots. Sometimes described in Ben’s visionary way - like in Severus and Stone, Kin, and The Dead Waltz, - other times more directly painfully depicted such as in A pound of flesh or in Always gold where death is the contradiction of the desire for things to last forever:

"Everything goes away yeah everything goes away but I'm gonna be here until
I'm nothing but bones in the ground".


The self inflicted exile and the denial of the existence of something or someone to hold on to is the theme of Ghost town:

"I miss you
but there is not coming home […]
I still think of you
but everyone knows
if you care then let it go"


while it is Severus and Stone, Always gold, Mountains and Family Portrait that the theme of family relationships and legacy is covered with a mixture of nostalgia, drama, tragedy, joy and sadness that make these songs vibrate with life.

Almost everything in this album has been made by Ben or Ben’s family:  from the writing, execution, production, mixing of the songs to the CD printing and packaging enriched with great art work.  And this is something else that makes Ben’s work special and makes you proud to support the valuable work of this promising American artist.



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